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In the eighteenth century, fashion had a strong influence on the French. Colbert has said that when he said "Fashion is to France what the mines of Peru were to Spain" [1]. In the eighteenth century, fashion in France reflected the social and political attitudes, art, and of course, wealth and social class of people. The eighteenth century brought a new king and new hope to France: Louis XV and a period of merriment followed at the end rigid and solemn mourning of the reign of Louis XIV. At the accession of King, heaviness and black colors of the previous period disappeared and were replaced by pastels, light, and a certain freedom of spirit. Those were the days of the Regency and the Rococo. The teachers of the new king (from 1736), female tastes of the latter and his love for entertainment, influenced the culture of the time [2]. The arts, theater, architecture and fashion will suffer. With the licentiousness of the regent and the young King came also a sense of freedom and joy of living that is well reflected in the fashion of the time. In court, some frivolity developed. The policy and administration of the country were forgotten by the nobility and the king. The country's affairs were left to the people of the middle class while the nobles and royalty continued entertainment and fun. The remoteness of the Government, together with a new skepticism, rejected the traditional styles of men's fashion, in the transition from Baroque to Rococo, this change has led styles elegant, soft, and women [2]. The soft fabrics and floral motifs gained in popularity. Throughout this time, clothing styles have become less responsible while the tissue became more valuable. The silhouettes became more natural and less bulky, and the colors began to fade towards the Rococo style. Styles for both sexes have found a simple line. The article of prime necessity for men was the costume. Each man had a leotard, shorts, a long jacket, and sometimes a white jabot. Jackets, usually brocade, were very fit at the top and bottom, they flared body, leaving room for the sword to come down to the knee. The sleeves are fitted and decorated with stripes. The shirt is worn with a vest as long as the jacket buttoned tight and with lower pockets. The shirt is worn sometimes with a white jabot. These men put under tight pants just above the knees, silk stockings. The black over the knee flat boots cheap shoes and ended up with a loop holding. All classes have the costumes for the entire century without much change. The headdress consists of rolls of hair covering the ears, also called pigeon wings, and this often leads to elaborate headdress wearing wig imitating. Between economic and social classes, the style of clothing was not different really, but it was by the tissues they were easily distinguished. The upper classes used silks, brocades and velvet suits and dresses, while the working class using wool and cotton, which were cheaper. The jackets of the nobility had the embellishments, embroidery and dozens of buttons that were considered jewels [3]. The men of the upper classes also put wigs powdered with white locks of hair near the face and a tail. The working class wore vests adorned with very few and long hair tied in a ponytail at the nape. Echoing the government, women's clothing of that time adopted a more informal mode. The shapes of the dresses became more natural. As for men, not in form but in their tissues that clothes rich women differed from those of modest women. During most of the eighteenth century, fashion was for women with flowing robes. They had ample skirts draped over the baskets. The silhouette of women who wore them looked like a large bell with a very small size and wide hips. Most dresses were low waist, to a point. Under each dress the women wore a skirt and boned body. Corsets were essential for a small size and to maintain the form of blouses, skirts and helped support the baskets under the skirts. Watteau pleats covered the backs of jackets and a full train these elegant dresses [4]. In 1740, the silhouette of the dresses has been transformed. The baskets have grown around the hips, skirts sitting down to look like boxes. Just before this passion disappears, the magnitude of some of these dresses stood four meters [5]. But after that brief fad, more natural forms returned. This impressive fashion dresses and inconvenient to appear in society will lead the development of neglected to take a comfortable home. Until 1720, the fashion is to fontange cap consisting of a cap topped with a form of wire consisting of several relatively high degrees trimmed chiffon, ribbons, flowers and feathers. The hair does not intersect addition, it adds even to save bouffant wigs. Many accessories (flowers, birds, dolls, animals, etc. . ) Added to the hair to express one's tastes who wear them. They also poudrent to be white. They are sometimes a let-all-trades who is an apron that is worn by ornate elegance. It is fashionable umbrellas. The shoes are shoes or slippers silk high heels. As Louis XV, rich women were using luxury fabrics for their dresses. Satin, taffeta, velvet, and silks were popular, and dresses were often covered with floral embroidery, in the feminine style of the Rococo. The bourgeoisie used the cotton and wool skirts and they put rigid instead of baskets. The detail and jewelry were missing from the robes of peasants, but the basic form remained the same. Without exception, everyone tries to be fashionable. Rich people, even the peasants, imitated the styles of the king and his court. Copyright: The texts are available under Creative Commons attribution share alike, other conditions may apply. 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